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Uri Caine - Interview

Extract from the interview released by Uri Caine on 16/11 / 09
The full interview was broadcast Sunday, November 22 during Sunday by appointment radio " @ Angels Demons "

Uri, do you think interpret traditional Jewish music, playing with the mentality today, as it does on the album " Secrets " who sees you in a quartet with Mark Feldman, Greg Cohen, Joey Baron , is a way to reconsider the ancient musical structures and, paritre from this, build new languages?
"Many of the songs in 'Secrets' as' Z'Chor Hashem' or 'Nigun''Lubavitchers are part of my earliest memories. My family used to play and sing these songs and others on Friday evening, consumed as musicians who play jazz standards by George Gershwin or Cole Porter. It was a great challenge to play this music because although structurally simple to be able to improvise you have to force certain habits that are learned in jazz. "

Improvisation is intuition, invention or interaction?
"All these things together. Improvising means to keep alive the attention, play what you would not have waited to play, expect the unexpected. Above all, cultivate the exchange relationship with oneself and with others. I mean, the dialogue between musicians should be developed, as it is necessary that everyone works with their potential to enhance and refine it. It is essential to practice and keep on going, not to be trapped in the cold perfectionism, preserving the spontaneity.

Great musicians like John Coltrane knew a lot of work on their technique and at the same time, they kept alive the ability to capture the moment that creates impromptu improvisation. This is not to stay in his room playing scales all the time but to work with others, everyone feels connected. There is a strong connection that unites all types of music and, consequently, all the musicians. "

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Joey Baron - Interview

Extract from the interview released by Joey Baron on 11/16/2009

The full interview was broadcast Sunday, November 22,

radio Sunday during the appointment with " @ Angels Demons .

Joey, if I were giving advice to a guy who is about to start playing drums, what would you say?

"I would say: find a teacher who gives you the basic rudiments of the instrument. Everything else depends on you, because nobody can teach you to play and have a relationship with the music. You just go out and play . At whatever level you are, no matter who asks you to play, always answer yes. You learn from every experience. Music is an art that relies on making a living with others. Not learn anything standing in a classroom or reading books on music theory. You will learn more and only playing, and with more good people than with people less clever than you.

Again, my suggestion is this: always say yes.

and distance itself from those who tell you how you should play because, at best, can only teach you to become the bad copy of someone else, wasting his and your time. No one is really interested to hear two or more people playing the same way, although many are convinced of the contrary. It is better to experience the hard way. Playing, listening to others, especially listening to yourself. Total salary as a musician: this will teach you more than any course. If someone will say, play me a slow back beat and you do not know what the hell it will give you to do and learn by practice. That's how I learned and I've gained my individuality as an artist. It is the basic process. Every musician studying the songs he loves and draws inspiration from them, but then must go his own way, without imitating any other, without becoming a clone of who knows whom. This risk is avoided playing with others, regardless of context: the cellar, the school gym, the wedding party or concert hall.

is how it takes shape your personal style, that makes you instantly recognizable. "

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STOLAS: Masada Quintet Live - Teatro Manzoni (Milano)

Milan, November 17, 2009

An excellent concert, a performance exciting band in a state of grace.

The Masada Quintet has lost his way the sax Joe Lovano (injured shoulder, out of the game for a year) but gained to Chris Potter . Issued without a network between the roughness of the rhythmic and uplifting repertoire of pitfalls John Zorn , after an uncertain start to the Potter (in his first live with galaxy Masada) has been unleashed, showed sapersela draw very well. Essential support and guidance of Dave Douglas (trumpet), Uri Caine (piano), Greg Cohen (bass), Joey Baron (drums). In the early part of the exhibition Douglas has voluntarily assumed the role of temporary leader , then return to normal when the balance of expression / communication between the five (which in fact are all leaders) and especially the involvement Potter has been successfully achieved.

An hour and a half hours of live music, based on the nine compositions " STOLAS: Book of Angels, Vol 12 "which, in the course of the applauded evening at the Teatro Manzoni in Milan, have been enriched by long and inspired improvisations.

Great moments of interplay between Uri Caine and the brilliant acrobatic Joey Baron, close and casual, to provoke each other with great humor.

be noted moments high the concert, joined in the songs Psisya, Tagriel, Tashriel and Haamiah .

Jewish Culture and jazz music free from limits or brakes intellectuals, mixed with a passion for music, this is the Masada Book Two . And now we do a little 'accounts: Masada Book Two-Book of Angels consists 300 compositions written by the prolific John Zorn and methodical in a few months in 2004, after the celebrations for the 10 years of experience Masada (Book One). Since 2005 some of these songs came to life, that was played / arranged / performed by numerous musicians and ensembles, as Jamie Saft Trio, Medeski Martin & Wood, Cracow Klezmer Band, Bar Kohkba Sextet, Masada String Trio, Koby Israelite, Erik Friedlander , Mark Feldman, Sylvie Courvoisier . STOLAS, seen / heard live November 16, 2009, the protagonist of the 12th volume, is an angel, or rather it was , like all the 'hosts' series Book of Angels: it is not in fact of angels with halos and white dress, but the fallen angels, creatures that exist between the darkness. STOLAS, in particular, is one of the great principles of hell, commands 26 legions of demons, has expertise in astronomy and is very familiar with herbs, precious stones and poisonous plants. In the Dictionnaire Infernal the painter paints Collin De Plancy Stolas as a long-legged owl and disproportionate.

who want to learn more about these angels / demons that both fascinate and stimulate John Zorn (mysterious and esoteric scholar of Judaism) can spend their evenings reading by candlelight in the dark pages of 'The Grand Grimoire' .

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H1N1 VACCINE INGREDIENTS OF THIS ALREADY ARRIVED IN EUROPE AND 'IN ITALY: Voyager special

1) The swine vaccine from GlaxoSmithKline Plc
Among its ingredients:

aluminum adjuvant (component, which damages the immune system and creates severe cognitive dysfunction )
AS03: squalene (adjuvant that causes inflammation in the joints, and lupus syndrome chronic fatigue "); Daronrix (Glaxo vaccine against avian influenza);
Formaldehyde (known carcinogen and toxic to the reproductive and development);
Octoxynol 10 (emulsifier, wetting and foaming, which can alter the 'metabolic activity, damage membranes and cause a rapid decline of cell functions);
Polysorbate 80 (an ingredient known to cause infertility, epileptic convulsions, miscarriages, and anaphylactic shock or death);
Thimerosal (a mercury-based, 50 times more toxic than mercury itself causes serious immune system problems, neurological and behavioral disorders and motor).

2) Cevalpan, swine vaccine Baxter International
Among its ingredients:

Vero cells (cultured cells from the kidney of an African monkey, produced in a very dubious of that process is not yet known at all) ;
trometamol (organic compound that can be harmful if inhaled, which have not been disclosed to the long-term);
Sodium chloride polysorbate 80 (see above).

3) Focetria, the vaccine of Novartis International AG This is the vaccine currently distributed in Italy.
Its ingredients include: cell line

ownership (provenance unknown);
Squalene (see above);
Span85 or Sorbitan trioleate (emulsifier and thickening agent also used as a pesticide is toxic and may have carcinogenic, neurotoxic and stunted growth in children).
particularly alarming: the adjuvant "owner" MF59: oily derivative of a product designed for the Gulf War, with a capacity of highly destructive to the human body. Some health experts argue that this principle should be included in the category of drug or biological weapons. The legislation requires the use of MF59 to be very limited in experimental animals and no provision for its use on humans (but we do know: the drug companies are above the law). Many immunologists argue that even a microscopic dose of a few molecules of adjuvant, and injected into the human body, can cause severe and permanent disorders of the immune system. The FDA has not yet approved the use of any vaccine in MF59. Yet we find this adjuvant "Focetria" distributed and administered in Italy right now. That said ... DO NOT VACCINATEVI!

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Reporting concerts (Milan)

Miroslav Vitous

Concert at the Teatro Manzoni (Milano)

Miroslav Vitous, "Remembering Weather Report"

Miroslav Vitous, bass - Michel Portal, clarinet and bass clarinet - Franco Ambrosetti, trumpet and flugelhorn - Gary Campbell, saxophones - Nasheet Waits, drums

A wonderful concert, rare style and compactness without any concession to compromise, but rather rich and complex, in the spirit that accompanied the birth of Weather Report, founded by Joe Zawinul, Wayne Shorter and Miroslav Vitous. That spirit of equal dialogue between musicians, as well as the momentum towards freedom of expression, experimentation and research, which Zawinul - more interested in fame and wealth that the definition of new musical languages \u200b\u200b- quickly rejected, forcing a corner in Shorter Vitous and inviting, gently Austrian, to leave the band. The bass player regains feel of those days in the album "Remembering Weather Report "in the company of excellent Franco Ambrosetti, Gary Campbell, Nasheet Waits and the versatile Michel Portal. The performance at the Teatro Manzoni was warmly welcomed by a crowded audience.

( Followed text extrapolated from the theater program )

Back in Milan, one of the great instrumentalists of the history of improvised music, bassist Miroslav Vitous , which presents a fascinating reinterpretation of the period in which it was part of group Weather Report. Composed of artists like Franco Ambrosetti value and Nasheet Waits, the complex also makes use of the contribution of one of the greatest figures of European music, the saxophonist and clarinetist Michel Portal.

Renowned jazz bassist born in Prague, Vitous practice the violin since the age of six years,

before moving on to piano at age ten and bass at fourteen. One of his first groups was the Junior Trio with his brother Alan on drums and with his friend, Czech, also known soon, Jan Hammer on keyboards.

During the years of conservatory won an international competition in Vienna, ottenend

or so a scholarship to the Berklee College of Music in Boston. From then on, a life of success that combines talent and technology: a strong sense of rhythm, the guidelines laid down low and extensive use of improvisation.

Vitous In 1969 he released his first solo album, Infinite Search and features used in training for what will be key players after the jazz fusion movement: John McLaughlin, Herbie Hancock, Jack DeJohnette, and the familiar icon of the jazz saxophonist Joe Henderson.

founding member of Wheather Report, has worked with, among others, Jan Hammer, Freddie Hubbard, Miles Davis, Chick Corea, Wayne Shorter , the greatest of contemporary jazz.

(pictured above: Miroslav Vitous, pictured below: Michel Portal)

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Reporting concerts (Bologna)

BOLOGNA JAZZ FESTIVAL: Saturday, 7 November 2009

Theatre of events (via Zaragoza)

ORE 21.15 - DAVE DOUGLAS QUINTET

(Dave Douglas, trumpet - Donny McCaslin, saxophone - Uri Caine, piano - Matthew Penmann, low - Clarence Penn, drums)

Dave Douglas is arguably the most prolific gold and

nal trumpeter and composer of his generation and continues to enjoy success and recognition of various kinds as a trumpeter, composer and jazz musician year from the most diverse institutions as the New York Jazz Awards, the magazine Special Down Beat, Jazz Times, Jazziz, and - among others - also the Association of Italian Jazz Critics.

Personal Projects: Brass Ecstasy, 3 Dave Douglas, Dave Douglas Quartet, Dave Douglas Sextet.

coordinated and continuous collaboration: Masada (John Zorn), Anthony Braxton, Don Byron, Joe Lovano, Miguel Zenon, Bill Frisell, Han Bennink, Misha Mengelberg.

ORE 22.30 - FRANCK AVITABILE TRIO feat. FLAVIO Boltro

Homage to Michel Petrucciani

(Frank Avitabile, piano - Diego Imbert, bass - Aldo Romano, drums - Special Guest Boltro Flavio, trumpet)

still little known in Italy, Franck Avitabile, is now a star in France, where he was discovered by Michel Petrucciani. He is highly precocious, able to quickly absorb the complete works of Jarrett as well as that of Bach, Tatum and Powell to assimilate and to follow in the footsteps of Xenakis, attracted by the charm of applied mathematics to music, Avitabile has an impressive technique and a very classic touch that does not stop with reaching s

uccesso the darkest areas of the music. Concerto is

in collaboration with and Dreyfuss Culturesfrance Records.

(pictured above: Dave Douglas, pictured below: Franck Avitabile)

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Ravenna Nightmare Film Fest 2009 - 7th edition

Aliens voracious, stalker lovers shaken by homicidal impulses, xenophobic alcoholics, violent and yet faithful to the scriptures, cavers facing monsters cannibals living in the center of the Earth, men and women disgustingly sewn together to form a long caterpillar human , a dramatic society in Serbia tour with an explicit Porno Cabaret Club, a group of aspiring suicide and sadistic couch potatoes, a sect of Satanists, the most important works (Michelangelo Merisi) Caravaggio, from October 27 to October 31, 2009 this melting pot of characters and stories has created (and a lot death ) the seventh edition of Ravenna Nightmare Film Fest , which was held at the disturbing Cinema City of Ravenna.

Those cited are in fact the subject of scary movies now staggering hours and / or poignant, which have transformed from Ravenna peaceful "city of mosaics" to "Mediterranean capital of the nightmare."

The horror shown by the 13 films (from the USA, Great Britain, Indonesia, Canada, Serbia, Australia, Germany, Denmark, France, Holland - 12 films participating in our RNFF) projected during the 'event is one of butchery typical of much film gore or slasher , is one of the fears or nightmares that live hidden in the shadows of society, fed by ignorance, anger, madness.

According Alberto Bucci, director of organizational RNFF, " The nightmare of our present is the fear of difference. The black man who does not live in the woods more books fairy tales, is now between us and the people, frightened by the media, lives in fear . Perhaps for some the only hope of salvation is close at home. Many daredevils have instead attacked the Cinema City, making literally elbowed to gain access to various projections. The jury has chosen two finalists: a special mention for the Serbian film " Life and Death of a Porno Gang " (raw story that shows the horrors of life on the road to a company of porn actors) and large Golden Ring Award for "T h Human Centipede , surgical horror full of black humor.

Will we ever see these films in large circuits?

Most probably no, definitely not see them all.

What other film de fear "or interesting to report there are around now?

(photo from the film "The Human Centipede" by Tom Six)